A Bridge to Everywhere
Every place we travel has its landmarks, and for nearly every city on a significant river, at least some of those landmarks turn out to be bridges.
Every place we travel has its landmarks, and for nearly every city on a significant river, at least some of those landmarks turn out to be bridges.
The Old Mill is a survivor. Built onto a bridge to save money, it still stands, but the bridge is gone. Not only the one it first stood on, but several of its replacements.
Almost as if he were painting with plantings and water, the Impressionist painter Claude Monet spent years creating gardens and water features around his house and studio in Giverny, west of Paris and on the edge of Normandy.
Every place we travel has its landmarks, and for nearly every city on a significant river, at least some of those landmarks turn out to be bridges.
The Old Mill is a survivor. Built onto a bridge to save money, it still stands, but the bridge is gone. Not only the one it first stood on, but several of its replacements.
Almost as if he were painting with plantings and water, the Impressionist painter Claude Monet spent years creating gardens and water features around his house and studio in Giverny, west of Paris and on the edge of Normandy.